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・ Kiyo Station
・ Kiyo Takamine and Zatch Bell
・ Kiyoaki
・ Kiyoaki Hanai
・ Kiyoaki Saibara
・ Kiyochi Ogata
・ Kiyofumi
・ Kiyofumi Nagai
・ Kiyofumi Ohno
・ Kiyohara Baseball Stadium
・ Kiyohara clan
・ Kiyohara no Fukayabu
・ Kiyohara no Iehira
・ Kiyohara no Motosuke
・ Kiyohara Tama
Kiyohara Yukinobu
・ Kiyoharu
・ Kiyoharu Ishiwata
・ Kiyohata Station
・ Kiyohide
・ Kiyohide Shima
・ Kiyohide Shinjō
・ Kiyohiko
・ Kiyohiko Azuma
・ Kiyohiko Shibukawa
・ Kiyohiko Toyama
・ Kiyohiko Ushihara
・ Kiyohime
・ Kiyohiro
・ Kiyohiro Araki


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Kiyohara Yukinobu : ウィキペディア英語版
Kiyohara Yukinobu

Kiyohara Yukinobu (1643–1682) was a Japanese painter and one of the foremost women identified with the Kanō school. Her father Kusumi Morikage was also a painter and her mother Kuniko was the niece of his longtime teacher and patron Kanō Tan'yū. Yukinobu lived in Kyoto and likely studied under her father. Her work covered a wide variety of formats ranging from small scrolls to large screens. Thematically she was skilled in the Yamato-e style but was also notable for producing many works depicting women including legendary figures such as Murasaki Shikibu.
Because many of Yukinobu's works are signed and sealed with her name, it suggests she had achieved enough recognition to receive commissions from middle class townspeople and samurai. Ihara Saikaku's The Life of an Amorous Woman also includes a story where a courtesan commissions a work from Yukinobu.〔〔
==References==



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Kiyohara Yukinobu」の詳細全文を読む



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